Volume VIII, Number 1
In This Issue
New research by theologians and music historians has given rise to a new set of questions about J. S. Bach’s relationship to Pietism, a reform movement that was flourishing in Germany when he wrote his cantatas and passions. What links, if any, did Bach have to the movement? How well did he know the writings of the Pietistic fathers? And, what influence did their writings have on his sacred works?